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Streaming Media Producer - Featured News

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SDVI Rally Access Workstation Enables Fully Managed Edit-in-the-Cloud Model With Adobe Premiere Pro

New Capability Brings Scalable Access to Hosted Workstations and Content, Dynamically Provisions Infrastructure Within Automated Media Supply Chain

AJA BRIDGE LIVE Helps BCC Live Meet Encoding/Decoding Demands Across Productions

To support a broad range of encoding/decoding demands, BCC Live invested in an AJA BRIDGE LIVE IP video workflow bridge.

Roland Announces Major Updates for Its Flagship 4K and HD Video Switchers

Firmware Updates for Several Roland Mixers Also Planned for Later This Year

Matrox Video Will Showcase Its AVoIP Expertise at ISE 2024

Technology innovator Matrox® Video today announced its activities for Integrated Systems Europe (ISE) 2024, Jan. 30-Feb. 2 in Barcelona.
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Streaming Media Producer - Featured Articles

Featured Articles

Review: Blackmagic Design 12G 7" Video Assist 12G HDR

by | In this review, we'll look at Blackmagic Design's 7" 12G Video Assist. Like the 5" and 3G models in the Video Assist line, this compact monitor-recorder is designed to go out into the field and attach to the camera, rig, or tripod. It allows you to see your shot better than a small viewfinder or pop-out LCD that's rarely larger than three four inches on most pro camcorders. The Video Assist also enables you to record your footage in high-quality ProRes or HD|NX at resolutions up to 4Kp60.

Review: Blackmagic Design HyperDeck Studio HD Plus

by | If you are in the business of recording and streaming conferences, the Blackmagic Design HyperDeck Studio may be an indispensable tool.

For Live Streaming Producers, Tables of Gear Are Still a Good Idea

by | While the All-In-One live production and streaming tools grow and mature, let's make sure we keep backup solutions in mind to ensure a successful production—even if it still means a table full of gear.

Video Review: OBSBOT Tail Air AI-Powered PTZ Streaming Camera

by | If you're looking for a compact PTZ camera system for a small performance stage, conference room, podcast table, demonstration kitchen, instruction classroom, or any number of setups where the cameras can be positioned close to the subjects, and you would really benefit from the ability to manually change the shot or leverage automatic tracking, the OBSBOT Tail Air is custom-tailored to your needs.

Video Review: Magewell Director Mini

by | Magewell's new Director Mini is a mini marvel. This 5.5" "all-in-one" production tool with a $1,299 street price can mix multiple inputs and do picture-in-picture graphics, audio mixing, recording, streaming, and more, as IEBA's Anthony Burokas explains in this in-depth review.

How Cloud Workflows Enhance Streaming Scalability

by | One of the popular arguments in favor of cloud migration for streaming producers concerns the economics of scalability. CBS Sports' Corey Smith, Intellivid Research's Steve Vonder Haar, and Loke Dupont of TV2 in Denmark discuss the key benefits of moving to cloud streaming workflows in this clip from their panel at Streaming Media Connect 2023.

Tech Talk: Making the Most out of BRIDGE LIVE with AJA's Mike Boucke

by | From facilitating live-event streaming to remote production and beyond, AJA's multi-channel UltraHD and HD live video solution BRIDGE LIVE supports a wide range of streaming and contribution codecs. Join AJA product manager Mike Boucke to learn more about this powerful device and all it offers for live-stream workflows—from ultra-low latency to support for NDI and more.

Support Video Software Solution Providers That Put You First

by | There's a difference between software where we are in charge, and software where we, and our work, are captives of our tool providers and their subscription-only services. It is in our own best interest to consistently run cost/benefit analyses of the value our tools provide to each of us. We each get to make the decisions that benefit our businesses, and, at a higher level, we are choosing to support those businesses that either do, or do not, put us first.

Pros and Cons of Cloud vs. On-Prem Streaming Production

by | Should all streaming production operations be shifting to the cloud to take advantage of the scalability, flexibility, and economic benefits of cloud streaming workflows? Or does on-prem still have its time and place? Telestream's Richard Andes, EY's Waseem Ahmad, and IntelliVid Research's Steve Vonder Haar debate the pros and cons of cloud vs. on-prem in this clip from Streaming Media Connect 2023.

All-in-One Streaming Tools Let You Do It All—But Should You?

by | Today, we are seeing a similar conglomeration of features and abilities in today's production hardware, enabling one person to "do it all!" This begs the question: Should you do it all?

State of Streaming Autumn 2023 Survey Report Launches

by | Newest version of twice-annual report expands on "pain points" and growth patterns, available for download now.

Telestream Wirecast 16 and The Next Generation of Professional Live Streaming Software

by | Telestream recently released Wirecast 16. This demo highlights some recently released features that that Telestream believes will prove game-changers in live streaming production.

HEVC vs. H.264: Bandwidth and Cost Savings

by | The case for moving from ubiquitous older video codecs like H.264 to newer codecs like AV1 or HEVC (H.265) is typically expressed in terms of encoding efficiency that translates to bandwidth and cost savings. For major content companies like Warner Bros. Discovery that have adopted H.265, how much has their experience borne out that hypothesis?

Glass-to-Glass Report: Comparing Low-Latency Streaming Providers

by | In this article, I examine low-latency services provided by streaming CDNs, removing actual vendor names and making conclusions based on delivery method. I'll start with a discussion of the basics of latency before moving on to the testing results and analysis.
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